Little by Little

Jinjae Lee

Software Designer

I design software that turns complexity into tools people can actually use. I focus on creating interactions that seamlessly bridge humans and technology, enabling users to achieve more with less. Based in London and Seoul.

Currently designing products at Pigment, with past experience leading design at QuotaLab, Flex, Hyundai Motors, early-stage startups, and design studios. My work spans AI, SaaS, HR, finance, and infotainment systems.

I use code as a creative tool to explore interaction, prototype ideas, and build websites. I believe the future of interfaces relies on how effectively they can interpret and mirror human behavior.

Works

Severance Payroll / Flex

Designed a severance payroll system for Flex Payroll 2.0, 10x faster than others, with automated calculations, a streamlined review process, and easy manual adjustments.

Corporate Meetings 2.0 / Quotabook

Redesigned meeting tools for consent, board, and shareholders' meetings with consistent UX, customizable templates, bulk editing, and integrated communication, enhancing workflows, usability, and engagement.

ccNC Infotainment OS / Hyundai

Defined the concept and overall UX for ccNC, Hyundai’s next-gen infotainment system, focusing on intuitive, scalable designs for features like integrated search, control panels, and vehicle settings.

Lab

Step Sequencer with Three.js

An interactive experiment where 3D shapes built with Three.js move in sync with tones and rhythms from a step sequencer built using Tone.js. Designed and developed with Cursor.

Tennis Ball Orchestra

Inspired by teamLab’s Light Ball Orchestra, this project lets users experience harmonious sounds created by colliding balls. Designed and developed with Cursor.

Climate Change Impact Filter / Google

An interactive ML experiment visualizing potential losses and survivals under rising temperatures. Contributed as design engineer alongside artist Sey Min and professor Jae Yeop Kim.

Hangul in Motion

An interactive exploration of Hangul’s visual beauty and dynamism, using animation libraries like p5.js, anime.js, and two.js to experiment with different motion styles.

Skills

Product Design

Interaction Design

Design System

Figma

Framer

Adobe Creative Suite

HTML

CSS

JavaScript

Prototyping

React

Arduino

Python

2025 Goals

Launch Personal Site

Finish AI Engineering Course

Create Framer Templates

Master Pigment

In Progress

Finish Meta FE Developer Course

In Progress

100+ day French on Duolingo

In Progress

Build a Workout Routine

Launch Side Project

Notes

When Kiosks Meet AI

In Seoul, cafes increasingly use kiosks instead of staff, a trend driven by rising labor costs and the digital fluency of younger generations. This shift has extended beyond cafes to convenience stores, restaurants, airports, and banks, steadily replacing human-facing roles.

At first, I welcomed the efficiency and anonymity. But constantly adapting to new kiosk interfaces has become tiring. A once-simple act, ordering and paying, now feels unnecessarily complicated.

After a year in London, I grew used to small talk and greetings. Strangely, I now find human interaction more comfortable than navigating machines.

The rise of kiosks is not slowing, but their interfaces can improve. Imagine kiosks powered by ChatGPT’s voice feature. You could simply speak your order and pay. It would bring back the ease of pre-kiosk days.

Ultimately, the challenge is how closely these systems can mimic real conversation. This may shape the future of human–AI interaction.

Aug 6, 2025

Writing without AI

It has been more than six months since I started using ChatGPT to help with my writing in English. Over time, I’ve noticed a growing hesitation whenever I try to write without it. Sometimes, I even delay writing if I don’t have an internet connection.

I’ve realized that relying on AI has made me lazier and more dependent when creating something new. While these tools help me explore ideas and find examples, they don’t always help me move forward in a meaningful way.

Jan 6, 2025